The
Stoics get a bad press. It is thought that to behave stoicically is to suppress
emotions; to face all problems with a stiff upper lip; and generally to live
like an anaemic soul, instead of a full–blooded human being.
Hardly
could a more oversimplified and misleading view of the teachings of the Stoic
philosophers be proposed or entertained. Their analysis of the emotions is one
of the subtlest ever proposed, and is scarcely equalled – in terms of its use
of reason – until the publication of Kant’s The
Moral Law. Further, it’s as valid and strikingly original today as it was
in Classical Greece and Rome.
For
the Stoics, emotion was not in itself bad, or a thing to be avoided, provided
its expression was natural, rather than culturally inculcated. It is a good
question to ask, “What constitutes a natural emotion?” Well, consider: if you
are brought up in a culture where, on the death of a member of a community it
is customary for women to weep and for men to flagellate
themselves, it is surprising that a child, on becoming an adult, will behave in exactly the same way? But is this natural? At the time of the death of Princess Diana, Carol Sarler, writing in the Times identified “a new pornography of grief”, which seemed to grip so many of us following the tragic death of a person with whom we have never exchanged a single word.
themselves, it is surprising that a child, on becoming an adult, will behave in exactly the same way? But is this natural? At the time of the death of Princess Diana, Carol Sarler, writing in the Times identified “a new pornography of grief”, which seemed to grip so many of us following the tragic death of a person with whom we have never exchanged a single word.
There
is some savour in this of the great public exhibitions of grief – accompanied
by weeping and lamenting – on the death of European kings in the Middle Ages. Common
to the historical and contemporary manifestations of the phenomenon, is the
sheer unnaturalness and extravagance of emotion, characterised as it is by a
willing public immersion in a sea of collective grief. This passage from Huizinga’s
perennial classic The Waning of the
Middle Ages (1924), wonderfully illustrates the tenor of life in these
times:
Was
ever there so miserable a picture? I cannot remember all that Huizinga wrote,
but I
imagine that this encouragement of public mourning and lamentation was a
means of keeping the people on side of king and country. But if so, it was
cruel policy by any standard, and completely contra to the true spirit of
Stoicism.
imagine that this encouragement of public mourning and lamentation was a
means of keeping the people on side of king and country. But if so, it was
cruel policy by any standard, and completely contra to the true spirit of
Stoicism. But
there is another contemporary twin to such imbalance, typified by the kind of
extravagant celebration and outpouring of joy that greeted the “triumph” of
nomination for the Olympic Games in 2012. “Fever pitch” might be an accurate
description of such a state of mind; and its apparent antithesis to the
“condition” of public mourning does not rule out a common parentage. But,
almost immediately, the pendulum swung the other way—as news first filtered
through, and overwhelmed us as we heard of the horrific bombings of tube trains
and busses in London on the 7th of July. Our reaction to this was different to
that occasioned by the death of Diana (which may perhaps best be described as
ersatz). It was, I think, naturally visceral, and truly empathetic towards
those who were the innocent victims of these vicious, senseless, and (alas)
utterly arbitrary acts of death–dealing, maiming, and traumatising. Nothing good
came out of that day. But was not our deep–felt, but quieter reaction to this
tragedy more natural?
In
the light of the above examples, it is hardly surprising that the Stoics warned
of the dangers of excessive emotion: such as occur as a result of socially
inculcated (or learned) reactions to events, which have probably become second
nature, but which loom out of all proportion, thereby causing an incapacitating
disturbance of the mind. “A push may start a log rolling, but the reason it
rolls is because it is round.”1 Likewise,
unhealthy emotions are pent up – or primed – such that the smallest incident
may unleash them (often with disastrous results, such as are reported daily in
the news). So, consider, would it be appropriate for a judge to feel anger when
sentencing someone who had committed a heinous act? No; the judge may feel
opprobrium – at some stages of the trial – and this may be an unavoidable
response; but that natural emotional response will not determine the length of
the sentence handed down. Nor will judges carry over such responses to their
next case: otherwise they would be unfitted to concentrate on the matter in
hand, and might even pass down a harsher sentence (reflective not of the facts
of the case, but of the emotional state of their mind).
For
the Stoic, high spirits were lauded; pleasures enjoyed – as they came along in
the natural course of events; and, as Cicero said, it would be madness not to
pursue something that you feel would be good for you. What the Stoics were
against was excessive yearning; corrosive envy or bitterness; grief so deeply
felt and long extended that a lost friend would be miserable were they able to
witness it; ambition which, if unrealised, would seem unbearable; and any
emotion which went beyond what was either natural or desirable (to the person
who was clear–eyed about the things that really matter). However, to be a Stoic
did not mean that you should not try for high office. For example, Marcus
Aurelius (an exemplary Stoic) became emperor. But, for the Stoic, such
positions were regarded as “preferred indifferents”, which if not fulfilled
would not cause them to become bitter, envious, or irascible (or indulge in any
other form self–defeating response).
So,
for the Stoics emotions are natural and necessary for a life worth living. But
they would endeavour not to be carried away on an emotional tide so strong that
it bordered on madness. And if you want to see the results of emotions out of
control and generally wreaking havoc, you need do no more that watch Coronation
Street, East Enders, or Hollyoaks; and then ask yourself, “Is this the way I
really want to live?”
Suppose
though that everyone lived the more rational – though still high–spirited,
explorative, and risk–ready – life of a Stoic? Would this mean the death of
literature – because of an insufficiency of drama in people’s lives? No; this will
never happen, because irrationality and illogicality flow like ichors though
the minds of multitudes! So we need fear no loss of such plays and novels as Oedipus Rex, Hamlet, King Lear, Madam
Bovary, The Clockwork Orange, or The
Handmaid’s Tale. And then Seneca’s Medea
is as tragic a play as anyone could ask for.
End note:
Stoic
thought sometimes seems to turn our normal way of viewing things on their head.
In the Tusculan Disputations, Cicero writes
“. . . as compassion is distress due to a neighbour’s misfortunes, so envy is distress
due to a neighbour’s prosperity. Therefore, the man who comes to feel
compassion comes also to feel envy.” How can compassion be put on the same
footing as envy? This is made clearer later in the same disputation: “It is
urged . . . that it is useful to feel rivalry, to feel envy, to feel pity. Why pity
rather than give assistance if one can? Or are we unable to be open–handed without
pity? We are able, for we ought not to share distresses ourselves for the sake
of others, but we ought to relive others of their distress if we can.” I take
it from this that if we feel compassion or pity, we had better turn these
emotions into action, otherwise they will become unhealthy, and shrivel into
some kind of absurd, useless luxury. And if we find ourselves envying our
neighbour, then we had better turn to Emerson: “There is a time in every man's education when he arrives at
the conviction that envy is ignorance; that imitation is suicide; that he must
take himself for better, for worse, as his portion; that though the wide
universe is full of good, no kernel of nourishing corn can come to him but
through his toil bestowed on that plot of ground which is given to him to till.
The power which resides in him is new in nature, and none but he knows what
that is which he can do, nor does he know until he has tried.”
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1 This sentence is from Professor Margaret Graver’s Cicero on the Emotions: Tusculan Disputations 3 and 4 (Translated and with Commentary). Chicago, 2002. I could not have written this piece without that book. The Introduction and Commentary are written with great clarity; and the translation reads wonderfully (it is not necessary to know Latin to appreciate this).
1 This sentence is from Professor Margaret Graver’s Cicero on the Emotions: Tusculan Disputations 3 and 4 (Translated and with Commentary). Chicago, 2002. I could not have written this piece without that book. The Introduction and Commentary are written with great clarity; and the translation reads wonderfully (it is not necessary to know Latin to appreciate this).
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